Saturday, April 4, 2026

Spinning Wheel (TOTR 525)





-originally aired on WTTU 88.5 FM The Nest on Saturday, April 4, 2026
-Listen to the audio archive:
Stream episode Spinning Wheel - TOTR 525 by Teacher On The Radio podcast | Listen online for free on SoundCloud
-in this episode, we revisit my 2015 oral history of Cookeville Christian counterculture, Banjo & Bread, with a new interview with the subjects, Calvin & Nelia Kimbrough, as they discuss life at Tennessee Tech & in Cookeville in the 1960s. We also tap a little of the Holy Week/Easter spirit, as well as a nod to the book Southernmost by Silas House & film adaptation of Donald Miller’s Blue Like Jazz, as they, along with the Kimbroughs, were part of the American Mixtape class this past week
-photos courtesy of Calvin & Nelia Kimbrough
-all views only represent the host, the guests, & the artists played, never the student managers or the Communication department or the university

Peter, Paul and Mary - Early in the Morning
My Morning Jacket - Easy Morning Rebel
John Coltrane - A Love Supreme, Pt 1 - Acknowledgment 
Katie Herzig - I Hurt Too
Menomena - Oh Pretty Boy, You’re Such a Big Boy
Blood, Sweat & Tears - Spinning Wheel 
-Interview with Calvin & Nelia Kimbrough
Bob Dylan - Blowin’ in the Wind
Pete Seeger - What Did You Learn In School Today?
Peter, Paul and Mary - Michael Row the Boat Ashore
Nina Simone - Turn, Turn, Turn
Sam Cooke - If I Had A Hammer
Lawrence Ferlinghetti - Christ Climbed Down
Joan Baez - Don’t Think Twice, It’s All Right
-Interview with Calvin & Nelia Kimbrough
Malvina Reynolds - Little Boxes
Peter, Paul and Mary - If I Had A Hammer
Indigo Girls - Letter To Eve
Jesus Christ Superstar Soundtrack - Superstar
Richie Havens - Here Comes The Sun
Edwin Hawkins Singers - Oh Happy Day




Sunday, March 22, 2026

Crowns Captures The Spirit of the Black Church, & We Are All Inspired Thanks To It


I will never forget the first time I visited an African American church. It was in Detroit, Michigan, and I was all of 17 years old. This moving time swept me off my feet and changed me forever from deep inside my being. 

For a mainline Protestant with a pale complexion like me, I had been raised to expect a somewhat reserved worship experience, a quiet and heady Sunday morning for a group that sometimes gets dubbed “the frozen chosen.” From that first time outside that comfort zone in the mid-1980s to my experiences in Black churches ever since, I am frequently moved and mesmerized by the musicality and physicality of the worship time, rooted in a deep and courageous message of hope, community, and resilience. Thanks to depictions and descriptions of this sacred space in popular culture, we can all encounter this specific power and reverence, regardless of our own social locations. 

Everything so reliable, reverent, and revolutionary about the Black church experience, especially in the American south, shines in an exquisite theatrical rendering with “Crowns: A Gospel Musical,” currently being produced by the Cookeville Theatre Company at the Wesley Chapel Theatre on the south side of 9th street, just east of the Tech campus and just south of the Collegeside Church.  

Written by Regina Taylor and directed by Michael Ruff from the Cumberland County Playhouse, our current offering features a fierce local cast as part of the Cookeville Theatre Company’s annual efforts to support and feature the creative talent in our local African-American community. As Black History Month in February gives way to Women’s History Month in March, this rousing celebration emphasizes the role of strong women in the Black community, and in the Black church, particularly.  

Whether it’s Regina Pullin’s incomparable interpretation of Mother Shaw or Raniece really bringing it as Velma, the voice, vernacular, and vision of strong Black women truly transforms the historic Wesley space into a genuinely sanctified locale. The strong singing on a songlist of mostly iconic classics had a way of getting into my soul, and I found myself fighting back the tears at many intervals throughout the show.
 
The storyline blends humor with serious topics, and everything spirals around the statements made by stunning fashion, especially the crowns, the gorgeous hats that adorn the heads of Black women in their Sunday best. Saneisa Savage as Yolanda highlights the contrasts between young and old, north and south, urban and rural, and this gives way to a special unity that brings everyone together through shared experiences. 

Many of the significant moments in family and community, from baptisms to funerals, from tragedy to triumph, all center in the shared stories of empowerment and expression by these amazing matrons of the Black community, from grandmother to aunt, from mother to daughter. Superb set design and costume design perfectly accentuate the spirit of the show. 

The backing music by Lucy Knowles on piano and David Klein on percussion really anchored the energy of the production, adding some serious flair to the sparkling dance moves by Sya Johnson, supported by the choreography of Shane Langford.

Cookeville is beyond blessed by the cultural diversity that is honored annually in these superb productions by Cookeville Theatre Company. In addition to being touched to the edge of tears more than once, I felt my body moving in my seat, feeling ready to join in with an arm waving or an Amen shouting. My opening night experience connected Friday night to Sunday morning, and you will have that strong feeling of worship and connection, no matter your background and no matter what show you attend. Just be sure to catch one before it closes.
-Andrew William Smith is a local poet, teacher, & DJ. He has been the theater critic for Cookeville for the last 20 years. 

As of this post, the remaining shows are:

Thursday March 26 @7:30 pm (Pay what you can night)
Friday, March 27 @ 7:30 pm
Saturday March 28 @ 7:30 pm (Matinee)
The venue is at 271 E. 9th St Cookeville
More info - www.cookevilletheatreco.org

Saturday, March 21, 2026

Run to the River (TOTR 524)

 

image - Colin Cutler

-originally aired on WTTU 88.5 FM The Nest on Saturday, March 21, 2026

-Listen to the episode archive here:

Stream episode Run To The River - TOTR 524 by Teacher On The Radio podcast | Listen online for free on SoundCloud

-in anticipation of the Colin Cutler, Adeem The Artist, & One Eye Jack show on Monday, 3-23-26 at Mean Mel’s Uncle Presents: Adeem The Artist, Colin Cutler and One Eye Jack — Mean Mel's

-all views only represent the host, the guests, & the artists played, never the student managers or the Communication department or the university


Adeem The Artist - ruin me 

Colin Cutler - Swannanoa Tunnel 

One Eye Jack - Dangerous

One Eye Jack - Get Away Today

One Eye Jack - Give Me A Second
One Eye Jack - Let Me Live 

One Eye Jack - Stop Drop And Roll
One Eye Jack - It’s Been So Long

Colin Cutler - Bad Means Easy

Colin Cutler - A New Tattoo

Colin Cutler - Mama Don’t Know Where Heaven Is
Colin Cutler - The Cold That’s Forever

Colin Cutler - A New Tattoo (Parker’s Reprise)

Colin Cutler - Save Your Life and Drive

Interview with Colin Cutler

Colin Cutler - Parker’s Back

Colin Cutler - Temple of the Holy Ghost

Colin Cutler - Run to the River

Colin Cutler - Mama Don’t Know (Reprise)

Adeem The Artist - parka
Adeem The Artist - jason isbell b-side
Adeem The Artist - canvas to the frame
Adeem The Artist - st. todd (i grow lonely in new ways)

Adeem The Artist - impossible

Adeem The Artist - blueprints

Adeem The Artist - cowards together




Saturday, March 14, 2026

The 40th Anniversary of “United Underground” (TOTR 523)

 


-originally aired on WTTU 88.5 FM The Nest on Saturday, March 14, 2026

-listen to the audio archive: Stream The 40th Anniversary of United Underground - TOTR 523 by Teacher On The Radio | Listen online for free on SoundCloud

-most of the episode is a lo-fi cassette rip of my high school radio show on WSHJ 88.3 FM in Southfield, Michigan, from spring 1986

-all views only represent the host, the guests, & the artists played, never the student managers or the Communication department or the university


U2 - The Three Sunrises

R.E.M. - Green Grow The Rushes


United Underground - April 9, 1986 - WSHJ 88.3 FM in Southfield, Michigan

hosted by Andy Smith 


-This is a reconstructed playlist & a partial recording ripped from cassette to CDR to digital mp3; there are possibly songs played that are missing from the playlist; there are possibly songs listed that were played on the radio but are not played here; some songs may be excerpts. “United Underground” was a three hour program, & this is a 90-minute tape.


Cabaret Voltaire - Partially Submerged 

Salem 66 - Chinchilla

Salem 66 - Across The Sea

R.E.M. - Carnival of Sorts (Box Cars)

[brief excerpt of public service announcement]

R.E.M. -  Can’t Get There From Here

Sonic Youth - Brave Men Run (In My Family)

The Pogues - Sally MacLennane

(Andy talk back; dedication to Ernst)

The Replacements - Here Comes A Regular

Rain Parade - Kaleidoscope

Lloyd Cole & The Commotions - Brand New Friend

Marc Almond & the Willing Sinners - Oily Black Limousine

Cactus World News - Skin and Dust

Tom Waits - Downtown Train

The Jesus and Mary Chain - Some Candy Talking

The Men They Couldn’t Hang - The Bells 

The Housemartins - Anxious 

(Andy talk back; 8pm- ‘completely groovy music’; reading from the Black Poets anthology; “roses and revolution” by Dudley Randall)


Musing on roses and revolutions,

I saw night close down on the earth like a great dark wing,

and the lighted cities were like tapers in the night,

and I heard the lamentations of a million hearts

regretting life and crying for the grave,

and I saw the Negro lying in the swamp with his face

blown off,

and the northern cities with his manhood maligned and felt

the writhing

of his viscera like that of a hare hunted down or the

bear at bay,

and I saw men working and taking joy in their work

and embracing the hard eyed whore with joyless excitement

and lying with wives and virgins in impotence


And as I groped in darkness

and felt the pain of million,

gradually, like day driving night across the continent,

I saw dawn upon them like the sun a vision

of a time when all men walk proudly through the earth

and the bombs and missiles lie at the bottom of the ocean

like the bones of dinosaurs buried under the shale of eras,

and men strive with each other not for power or the

accumulation of paper

but in joy create for others the house, the poem, the game

of athletic beauty.


Then washed in the brightness of this vision,

I saw how in its radiance would grow and be nourished

and suddenly

burst into terrible and splendid bloom

the blood-red flower of revolution…


Husker Du - Ticket To Ride 

Husker Du - Green Eyes 

Julian Cope - Kolly Kibber’s Birthday 

The Cult - Rain 

(Andy talk back; Kahlil Gibran - Sand and Foam)

Lou Reed - Street Hassle 

Boomtown Rats - Drag Me Down

Elvis Costello & the Attractions - Let Them All Talk

The Skids - Circus Games

(Andy talk back; “unlike those big corporate ones”; reading from the Black Poets anthology; “The Plight” - James W. Thomspson)

The Virgin Prunes - Ballad of the Man

Howard Devoto - The Rainy Season 

Mike Peters - Radio i.d. 

The Alarm - Across The Border

The Alarm - Absolute Reality 

(Andy talk back; calendar: anti-war events, “open stage” - community concert series, concerts, etc.; “I graduate from high school on June 12”; “Phillip Glass is playing....look around the papers for that”)

Philip Glass - ???

The Beatles - Eleanor Rigby

The Beatles - Love To You

Hair - The Flesh Failures

(Andy talk, poem; the security told us to sit down)

The Church - Unguarded Moment

Echo & The Bunnymen - Never Stop 

(don’t talk about it, “not meant to be a great eulogy” for Paula Ward)

U2 - Bad 


10,000 Maniacs - Daktari

Lone Justice - Sweet Sweet Baby (I’m Falling)

The Cure - In Between Days


--


To produce the weekly episode of “United Underground” each Wednesday night, we hauled two giant wooden crates of vinyl albums in the back of my shiny blue Subaru, from our suburban bungalow in the Ravines, to the industrial-looking high school at the corner of 10 Mile & Lahser. Some of those discs were found on weekly borrowing trips to Play It Again Records on Northwestern Highway. In exchange for an informal shout-out on the air, Alan lent me a stack of albums from his used stock for each show every week. My high school sat adjacent to the Presbyterian church I attended those four years; the same church campus where my Daddy’s ashes are interred.


Often I would bring friends with me to the live broadcast, to help write down in a log all the songs we played in our 3-hour shift. Friends also helped me answer the phones, which sometimes rang off the wall. I reckon I had way more regular listeners back then, than I do now on the college radio, where I have hosted a program for almost 19 years. Many of my friends would listen, & I also made friends with lots of the people, who began as listeners. Not all listeners were sympathetic fans, though.

The episode (from which I have recovered these portions from the cassette) was aired on April 9, 1986. Its immersion in 80’s indie is indicative of my eclectic tastes from those days. But we were also a punk & hardcore adjacent program. The following Wednesday, the day after the United States attacked Libya, I went all-in with my fiery activist passions. (The number of anti-war events mentioned between concert announcements on the calendar run-down in this salvaged 4-9-1986 episode is evidence of my activist yearnings of those days.) 


That concluding spring term on the air, the spring of my senior year, I invited the communist lead guitarist of a local punk band Forced Anger to be my guest on the air, to advocate for a national student strike called “No Business As Usual,” not unlike the student strikes of the 1960s, not unlike the current anti-ICE walkouts or the BLM activity among youth in 2o2o, though this 1986 event was much smaller. 


The day after that show, the day after the punk guitarist had me play some crunchy cuss-filled & n-word-laced callouts about “the pigs” by a band called The D***s & after advertising the student strike, basically promoting truancy to every high school listener in the metro area, I found myself in the Principal’s office. I sat in the hot seat for a meeting about the previous night’s episode. It didn’t go well.


(The implication of my worst iteration in the authority figure's eyes was that Reagan was a "pig" for attacking Libya & supporting the Contras & stoking Cold War nuke fears, among many other things, like demonizing the LGBTQ community during the AIDS crisis.)

As the principal leaned in to defend guns, cops, armies, Reagan, ‘murica, & the like, I found myself invoking Jesus of Nazareth & the Catholic-Worker-style pacifism I had inherited from my lefty parents. The Principal wanted to make sure, though, that I would renounce pacifism if someone raped my grandmother. That is the argument they always take. (I actually had a gun-nut here in Tennessee tell me that my pacifism basically proved I didn’t love my wife, because nothing says marital fidelity like owning a firearm to defend your castle. My wife agrees with me, though, about all that peace & love stuff. We are not stockpiling any second-amendment bunkers at our house.) 


Even though I got suspended & my radio show was summarily yanked from the airwaves, I did sneak back on the WSHJ airwaves a couple of times. Later that same spring, we were excited that the station got invited to do a remote broadcast at the local mall. With permission from our faculty adviser, I got to co-host with the younger sister of the Disoriented Rain Dance fanzine editor & on-again off-again sweetheart. 


Beyond that, I was still required to attend the radio class period each weekday. That class was always a joyfully chill affair, especially for folks like me with severe senioritis. One weekday after seeing the legendary Layabouts for the first time at Alvin’s by Wayne State, I snuck into the booth to broadcast tracks from the NO MASTERS album that I had acquired the night before. If anyone was listening, they were treated to the subversive ska-&-world-music-infused skank & dance rock of Detroit’s “laziest” band.

That night at Alvin’s would be a portal to my future. I met my lifelong friend & fellow radio guy Peter Werbe for the first time at the show. Peter’s Sunday night WRIF show Nightcall was a staple for young liberals & lefties across the Metro area. We would become intense collaborators for the ensuing decades. After the pandemic, Peter published his novel “Summer On Fire” about the Detroit rebellion of 1967 & the counterculture community of that heady heyday. That book would bring us full circle, as it would occasionally end up on my American Mixtape syllabus & was the focus of TOTR 395 back in 2021. 







Saturday, March 7, 2026

Fortunate Son (TOTR 522)

 

-originally aired on WTTU 88.5 FM The Nest on Saturday, March 7, 2026
-an audio prayer for peace, one week into the current conflict between the USA/Israel & Iran
-all views only represent the host, the guests, & the artists played, never the student managers or the Communication department or the university

Earth, Wind & Fire - Where Have All The Flowers Gone
-Interview with guest Dr. Martha Highers
Todd Snider - Fortunate Son
-Poem recitation by guest Dr. Martha Highers
"My Life with US Regime Change War Background Music"
Eddie Vedder - Masters of War
-Various Artists & News Audio compiled on cassette by Sunfrog - Postcard from the Persian Gulf
(a personal audio documentary created in 1991 during the first Persian Gulf War; this is its first ever public airing, 35 years later)
Tracy Chapman - The Times They Are A Changin’

Thursday, March 5, 2026

“Southern gothic” folk, rock, & blues coming to Cookeville on 3/23

 




The first Monday of springtime, the first Monday after Spring Break, you want to be at our fantastic new music venue Mean Mel’s, just off the southbound lane of Highway 111, just north of Cookeville. Co-presented by Tennessee Tech’s UNCLE club (that stands for Underrepresented New Creative Live Experiences, since the 2010s), you don’t want to miss this triple threat of “southern gothic” music that will make your mind spin, your heart throb, your body thrum, and your spirit soar. 

On Monday, March 23, doors will open promptly at 6:30pm for a 7pm show. Colin Cutler kicks off at the top, followed by Adeem the Artist at 8pm, with One Eye Jack closing the night from 9-10pm. 

The “southern gothic” genre in literature percolated from the swampy reality of our shared trauma, refusing to subdue the tragicomic and spooky aspects of everyday life in the American south. Rather than run from our Bible-belt roots, these stories and poems are “Christ-haunted,” to amplify the Flannery O’Conner term for a world where the essence of Christ has been drained from Christianity, and we look with a keen and honest poetic lens at the “the grotesque, the violent, and the freaks,” often as unlikely ambassadors of the divine, as Karen Swallow Prior reiterates. 

When poet and Flannery O’Connor fan Ashley Massey introduced me to Colin Cutler of North Carolina, I knew that I needed to look deep and linger for a while on the front porch of his songcraft. Ashley and Colin, my friends and fellow Flannery fans, share my obsession with the “southern gothic” trope in Americana music. It gets under you and inside you. It comes over for BBQ and stays with you: it’s dip touching your lip, gas in your truck tank, kindling on your backyard burn. 

Cutler’s 2023 album Tarwater is a lush and unapologetic sonic gothic tribute to the short stories of O’Connor. No Depression puts it simply like this: “What happens when you take an English major and turn him into a musician?” Inspired by Flannery’s inspiration on Bruce Springsteen in the creation of Nebraska, Cutler collapses his Pentecostal and military background into song-stories that sizzle. 

Another contemporary southern singer who truly sizzles is Adeem The Artist (they/them), currently of Knoxville, Tennessee. To say that Deemie’s dark and delicious songs are raw and direct, would be one way to put it. But because of the intense humor of a wild mind and the religious murmurings of an ex-worship pastor, they challenge as often as they enchant, giving laughter and levity one moment, then kicking you with heartbreak and longing. 

When Rolling Stone magazine named Adeem’s breakout White Trash Revelry as the #7 Country Album of 2022, the magazine described the song “Middle of the Heart” like this: “a masterclass in economic folk storytelling that shows why their latest LP is the most thrilling introduction in roots music this year.”

The gritty and gregarious young upstart from Sparta, Tennessee, Jack Ray Judd, is probably going to mess up my thesis with a handle of something strong. Young and on fire, the trio One Eye Jack boils down my highfalutin potion to its common denominator as a music for the people: “We sound like the gritty blues ya papa used to play and the rock your parents still listen to.” Let’s just say that if you don’t leave early, we will push the chairs to the side and start to shake our butts like Saturday night, with an overall evening that will slip in some sacred and slippery Sunday morning themes.

I hope to see you there. I will be sho’nuff shouting hallelujah.

-Andrew William Smith, Sunfrog, Teacher On The Radio
www.teacherotheradio.com

This show is an all ages event. I.D. required. $12 in advance. $15 at the door.
Mean Mel’s is at 5760 highway 111 N. Ste A, Cookeville, TN
Get your tickets here:

Saturday, February 28, 2026

The Holy Ground (TOTR 521)

 

-originally aired on WTTU 88.5 FM The Nest on Saturday, February 28, 2026

-episode audio archive posted after the live show

-welcome to a first dispatch about Sunfrog’s

experiment in digital minimalism for Luddite Lent

-all views only represent the host, the guests,

& the artists played, never the student managers

or the Communication department or the university


Joni Mitchell - Big Yellow Taxi

John Prine - Paradise

Jason & the Scorchers - Take Me Home, Country Roads

Mischief Brew - Bury Me In Analog
Adeem The Artist - Books & Records

Chumbawamba - The Triumph of General Ludd
Mimi & Richard Farina - Bold Marauder
Dave Van Ronk - Samson & Delilah

Tom Paxton & John McCutcheon - Pathfinder

Jim Kweskin & Samoa Wilson - Honey in the Rock
Gordon Bok, Anny Mayo Muir, Ed Trickett - Turning Toward The Morning

Wooden Shoe Ramblers - Wade in the Water

Rich McMahon - Beauty All Around

The Dolly Ranchers - layer of highway

Casey Neill - Codfisher

Ye Vagabonds - I’ll Keep Singing
The Mary Wallopers - The Holy Ground
Oysterband - Rambling Irishman
The Men They Couldn’t Hang - Red Kite Rising
The Lone Bellow - Common Folk
Jeremy Ivey - Modern World
Mumford & Sons - Conversation With My Son (Gangsters & Angels)
Mumford & Sons with Gracie Abrams - Badlands
U2 - The Tears of Things
U2 & Ed Sheeran - Yours Eternally
Valerie June - A Rest Between Breaths